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Current Production --
General - Page 2
The photos on this
page are of my current production batch (I generally make 10 - 12 guitars in a
batch) This page will have the photos that are generic to all of the
guitars (such as making the rosettes.) At the bottom of the page are
links to the page showing the entire batch and to each of the 12 pages for
the guitars. It is probably useful to look at all of the individual pages as some
photos which are "generic" are only on the individual
pages.
This page will focus
largely on making the necks and fingerboards.
I glue up blocks of mahogany with the maple/rosewood/maple laminations.
Generally I will make enough for two or three years of work, and each block
will make two necks as is evident from the layout on these.
Then I bandsaw the rough blanks.
Here the slot for the adjustable truss rod is cut.
Here the necks have had their dovetail joint cut and they are now specific
to a given guitar.
Next I lay out and cut the shape of the peghead. the first step
of this is to drill the holes for the tuning machines. This,
obviously, is for a 12 string. The jig has metal bushings so that the
drill bit will not wear the jig, making it inaccurate.
Holes are drilled.
Jigs for shaping the pegheads
Pegheads ready for shaping.
More jigs.
these dowels fit in the machine holes and hold the peghead rigidly while it
is being shaped.
Like so.
Cutter in action
Again
Necks with pegheads done and the shaft if cut to rough thickness.
This jig roughly cuts the neck blank to the corrrect thickness.
This jig in action.
This cutter
- and the jig - rough shapes the neck - it is by no means a final shaping but it
removes a lot of wood very fast.
this neck has pretty much had its "machine work" - most of the rest of
the work in shaping it will be hand work.
Truss rod anchor is set into the dovetail
the filler strip is glued in on top of the truss rod, Leaving this.
I use a small block plane
or the bandsaw to remove most of the excess filler strip.
this is a tool called a counterbore - the thin rod fits in the truss rod
slot.
. Like so.
Leaving a nice pocket for the truss rod adjusting nut.
One of the first steps in making the fingerboard is to drill locating holes
which help locate it on a variety of jigs that I use.
A closer view of one end of this jig.
Leaving this hole.
this jig (and the shaper) cuts the overall taper of the fingerboard
Another view. Here the taper has been cut.
A
bunch of finished (but not fretted) fingerboards.
Lining up the fingerboard on the neck and body.
Once I am sure that the neck is in straight, I drill locating holes in the
fingerboard and the neck to ensure that everything lines up correctly.
This is the jig I use to do this. I use a 3/16 nylon down as the
locating pin.
Here is one of the locating holes
Gluing on a peghead overlay
Which has now been trimmed and the holes fully drilled.
Installing side dots.
Starting to bind the peghead
More of the same
Starting to fret the fingerboard
this tool presses in the frets.
Another view of this
two fretted fingerboards
this caul holds the fingerboard while I glue on the neck.
Like so.
this one is now fully glued up.
This jig and the shaper thickness the assembled neck.
Inlaying the fingerboard for # 541
the finished product.
Shaping the neck.
shaping the necks makes lots of shavings.
More of the same.
necks on parade
and more.
Necks in the spray booth
First neck is glued in.
and another
CLICK ON NEXT (below) to see more.
This
website and all of its content, text and images are copyright ©1997-2009
by Charles A. Hoffman. All rights reserved.
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